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Judo House Part 6 (the white bird) 2014–2015
oil on linen
Collection of Art Gallery of New South Wales. Contemporary Collection Benefactors 2015, with the generous assistance of Alenka Tindale, Peter Braithwaite, Anon, Chrissie & Richard Banks, Susan Hipgrave & Edward Waring, Abbey & Andrew McKinnon
Reproduced courtesy of the artist and Yuill|Crowley, Sydney.
Almost four centuries after its creation, Gian Lorenzo Bernini's Ecstasy of Saint Teresa (1652) remains the supreme emblem of religious visionary experience and the Baroque sensibility in art. Understanding ecstasy to encompass states of exaltation beyond the sensuous suffering of Bernini's sculpture, Ecstasy: Baroque and Beyond brings together older depictions of ecstasy with more recent works focused on the transcendence of normal consciousness, including trances, moments of expanded awareness, and visionary insight. From representations of saints and mystics, to dreamscapes and images of bacchanalian revels, this exhibition explores how Baroque style – characterised by exaggeration, high drama, extravagance, frenzy, and excess – continues to inform contemporary art.