eyeline 72

SKU: 072
2010
$10.00
image credit: 

Mikala Dwyer, An Apparition of a Subtraction, 2010. Detail. Sandstone, audio, speakers, acrylic, copper, pigface, light, Mor-Mor, wooden plinth made by Les Corben, dimensions variable. Installation view of the 17th Biennale of Sydney (2010) at Cockatoo Island. Courtesy the artist, Anna Schwartz Gallery, and Roslyn Oxley9 Gallery, Sydney. Photograph: Ben Symons.

articles

THE FOURTH AUCKLAND TRIENNIAL

LAST RIDE IN A HOT AIR BALLOON

Anne Kirker
LAST RIDE IN A HOT AIR BALLOON

THE FOURTH AUCKLAND TRIENNIAL

kate brettkelly-chalmers
WOMEN POP ARTISTS 1958-1969

SEDUCTIVE SUBVERSION

INGRID PERIZ
THE 17TH BIENNALE OF SYDNEY: THE BEAUTY OF DISTANCE: SONGS OF SURVIVAL IN A PRECARIOUS AGE

OLD AND NEW ROMANTICS

Susan Best
WHAT WE SEE AND WHAT WE KNOW: THINKING ABOUT HISTORY WHILE WALKING, AND THUS THE DRAWINGS BEGAN TO MOVE...

WILLIAM KENTRIDGE

andrew maerkle
THE CONSPIRACY OF WORD AND IMAGE

TARYN SIMON

rex butler
TARYN SIMON'S 'AMERICAN INDEX OF THE HIDDEN AND UNFAMILIAR'

HIDDEN IN PLAIN SIGHT

hilary emmett
SIMON, HYPERVISIBILITY AND THE PHOTOGRAPHY OF JUDGEMENT

TARYN' WITH THE NEGATIVE

william macneil

TARYN SIMON'S 'AN AMERICAN INDEX OF THE HIDDEN AND UNFAMILIAR'

editorial

UNSETTLED AUSTRALIA IN THE ART OF ANNABEL NOWLAN

Sally Butler

GEMMA SMITH AND THE INTUITIVE ABSTRACT

Mark Pennings
RECENT PAINTINGS BY DAN MAFE

JOURNEYING FROM THE KNOWN TO THE UNKNOWN

LOUISE MARTIN-CHEW
ALEX MONTEITH

MACHINE VISIONS

stella brennan
MARLEY DAWSON'S MACHINE-SITES

DOIN' STUFF

Adam Geczy