eyeline 72

SKU: 072
2010
$10.00
image credit: 

Mikala Dwyer, An Apparition of a Subtraction, 2010. Detail. Sandstone, audio, speakers, acrylic, copper, pigface, light, Mor-Mor, wooden plinth made by Les Corben, dimensions variable. Installation view of the 17th Biennale of Sydney (2010) at Cockatoo Island. Courtesy the artist, Anna Schwartz Gallery, and Roslyn Oxley9 Gallery, Sydney. Photograph: Ben Symons.

articles

LAST RIDE IN A HOT AIR BALLOON

THE FOURTH AUCKLAND TRIENNIAL
Anne Kirker

THE FOURTH AUCKLAND TRIENNIAL

LAST RIDE IN A HOT AIR BALLOON
kate brettkelly-chalmers

SEDUCTIVE SUBVERSION

WOMEN POP ARTISTS 1958-1969
INGRID PERIZ

OLD AND NEW ROMANTICS

THE 17TH BIENNALE OF SYDNEY: THE BEAUTY OF DISTANCE: SONGS OF SURVIVAL IN A PRECARIOUS AGE
Susan Best

WILLIAM KENTRIDGE

WHAT WE SEE AND WHAT WE KNOW: THINKING ABOUT HISTORY WHILE WALKING, AND THUS THE DRAWINGS BEGAN TO MOVE...
andrew maerkle

TARYN SIMON

THE CONSPIRACY OF WORD AND IMAGE
rex butler

HIDDEN IN PLAIN SIGHT

TARYN SIMON'S 'AMERICAN INDEX OF THE HIDDEN AND UNFAMILIAR'
hilary emmett

TARYN' WITH THE NEGATIVE

SIMON, HYPERVISIBILITY AND THE PHOTOGRAPHY OF JUDGEMENT
william macneil

TARYN SIMON'S 'AN AMERICAN INDEX OF THE HIDDEN AND UNFAMILIAR'

editorial

UNSETTLED AUSTRALIA IN THE ART OF ANNABEL NOWLAN

Sally Butler

GEMMA SMITH AND THE INTUITIVE ABSTRACT

Mark Pennings

JOURNEYING FROM THE KNOWN TO THE UNKNOWN

RECENT PAINTINGS BY DAN MAFE
LOUISE MARTIN-CHEW

MACHINE VISIONS

ALEX MONTEITH
stella brennan

DOIN' STUFF

MARLEY DAWSON'S MACHINE-SITES
Adam Geczy