the critical writing project

SKU: 01

Spring

$7.00

image credit:

Rosella Namok, Down at Aangkum, 2001. Acrylic on canvas. 185 x 135cm. Courtesy the Lockhart River Aboriginal Community Arts & Cultural Unit. Hogarth Galleries represents Rosella Namok in Sydney.

articles

Sounding out installation: The work of Sandra Selig and the permeable body

elizabeth ruinard

Journey of light: Art, creativity and the sacred celebrating 2000 years of Christianity

LOUISE MARTIN-CHEW

Dancing light: The work of Catherine Brown

Paperscapes

Margaret Maynard

Innocence lost: Contemporary images of childhood

stephanie lindquist

We've got the looks; they've got the brawn; why aren't we making lots of money?

Victoria Clayton

Public art in hospitals: A healthy sign

Monochromes: A distorted history of 'influence' & 'identity'—red, yellow, blue

Living doll: An exhibition by Sophie Cadman

Caroline Daniell

Between the mountains and the sea: home-ground, Marianne Penberthy and Kerry Johns

Erminio Aili: An exceptional artist

Dealing Dreaming: The selling of aboriginal art

Timothy Morrell

What's new at the Queensland Art Gallery

How many bottles sitting on the wall? The dilemmas of mounting an exhibition

Book review: Truth to tell, a view from the sixth row—Reina Irmer photography

Rachael Griffin

Seeing double time

Breaking down the barriers for artists in Western Queensland

100% success: The art of James Brown

Uncharted—The river

Not taking it lying down: A new biennial quilt exhibition

It's not glitzy enough: The Northern nexus between the region, the environment & art

Art & land: Contemporary Australian visions

Dissonance: White on white with black, an exhibition by Margaret Genever

Caroline Daniell

A question of critical spin

Alick Tipoti's Kobupa Thoerapiese