eyeline art magazine australia. Cover: Nick Cave, The Let Go. An immersive performance and installation by Nick Cave at Park Avenue Armory. Photograph James Ewing.
Articles: Nick Cave: The Let Go by Ingrid Periz; Updating the Readymade by Wes Hill; Archie Moore: 1970 – 2018 by Sarah Werkmeister; Dale Harding in conversation with Hilary Thurlow; Art and Incarceration: Andy Quilty and The Prisoner by Darren Jorgensen; From both, and inconclusively, from neither: Critical reflections on the significances of Yu Youhan's paintings as a locus of aesthetic modernity by Paul Gladston; Thresholds to other worlds: Jill Orr's ritual performances by Anne Marsh; The Planetary Garden: Manifesta 12, Palermo by Julie Ewington; Globalisation, the art market and international art by Robyn Ferrell; Adventures in Biennale-land: Thoughts on the Adelaide Biennial of Australian Art; NGV Triennial and the twenty-first Biennale of Sydney, 2018 by David Corbet; Reviews.
Delicate balance: Robyn Backen by Tom Melick; The mica effect Auto aesthetics/car culture by David Broker; Melliferra: A galapagos for the future? by Beth Jackson; Anne Ferran: The forgotten archive by Shelley McSpedden; Ian North and the anti-picturesque by Adam Geczy; Lisa Crowley: The zone by Gavin Hipkins; Pretty pictures, Big stories Tim Johnson: Painting ideas by Ian Mclean; Growing painless: The art of non-interference by David Teh; Nice Show Robert Leonard talks with Gina Fairley, Jacqueline Millner, David Teh and Lee Weng Choy about The 6th Asia Pacific Triennial of Contemporary Art; The 6th Asia Pacific Triennial of Contemporary Art and the conundrum of collaboration by Zara Stanhope; Writing on writing, but not just writing and not only writing by Reuben Keehan; Pacific Reggae: Roots beyond the reef by Andrew Clifford; The good and the bad by Jenny Harper, Dougal Phillips, Andrew McNamara; Constant Oscillation: Maria Cruz's 'Oo (Yes)' by Anna Gibbs; Reviews.