eyeline art magazine australia. Cover: Nick Cave, The Let Go. An immersive performance and installation by Nick Cave at Park Avenue Armory. Photograph James Ewing.
Articles: Nick Cave: The Let Go by Ingrid Periz; Updating the Readymade by Wes Hill; Archie Moore: 1970 – 2018 by Sarah Werkmeister; Dale Harding in conversation with Hilary Thurlow; Art and Incarceration: Andy Quilty and The Prisoner by Darren Jorgensen; From both, and inconclusively, from neither: Critical reflections on the significances of Yu Youhan's paintings as a locus of aesthetic modernity by Paul Gladston; Thresholds to other worlds: Jill Orr's ritual performances by Anne Marsh; The Planetary Garden: Manifesta 12, Palermo by Julie Ewington; Globalisation, the art market and international art by Robyn Ferrell; Adventures in Biennale-land: Thoughts on the Adelaide Biennial of Australian Art; NGV Triennial and the twenty-first Biennale of Sydney, 2018 by David Corbet; Reviews.
Wes Hill in conversation with Joseph Breikers; Tony Lloyd: The exterior labyrinth by Ashley Crawford; Wobbly old people painting by Darren Jorgensen; Landscape after land rights, after conceptual art: Photography and place by Susan Best; Shadows in the landscape: Ricky Maynard and the politics of presence in photography by Melissa Miles; The Australian Tableau by Keith Broadfoot; Time after time: Runa Islam by Ryszard Dabek; Roberto Chabet 'To be continued' by Gina Fairley; Critical Mass: Cultural conduits, translations and provocations in the work of Danius Kesminas and collaborators by Shelley McSpedden; Andrew Maerkle in conversation with Ming Wong; Dinh Q.Lê: Attested terrain by Gina Fairley; La Biennale di Venezia: 54th International Art Exhibition 2011 by Wes Hill; Michael Parekowhai: On first looking into Chapman's Homer. La Biennale di Venezia 2011 by Kate Brettkelly-Chalmers; Reviews.