eyeline art magazine australia. Cover: Nick Cave, The Let Go. An immersive performance and installation by Nick Cave at Park Avenue Armory. Photograph James Ewing.
Articles: Nick Cave: The Let Go by Ingrid Periz; Updating the Readymade by Wes Hill; Archie Moore: 1970 – 2018 by Sarah Werkmeister; Dale Harding in conversation with Hilary Thurlow; Art and Incarceration: Andy Quilty and The Prisoner by Darren Jorgensen; From both, and inconclusively, from neither: Critical reflections on the significances of Yu Youhan's paintings as a locus of aesthetic modernity by Paul Gladston; Thresholds to other worlds: Jill Orr's ritual performances by Anne Marsh; The Planetary Garden: Manifesta 12, Palermo by Julie Ewington; Globalisation, the art market and international art by Robyn Ferrell; Adventures in Biennale-land: Thoughts on the Adelaide Biennial of Australian Art; NGV Triennial and the twenty-first Biennale of Sydney, 2018 by David Corbet; Reviews.
Rebecca Ann Hobbs: Movement and connection by Ema Tavola; I think therefore I mash: Soda_Jerk by Adam Geczy; The active thing: Bridget Currie's objects by Teri Hoskin; Matt Dabrowski and the many hands of glamour by Wes Hill; Collaboration as struggle and non-cooperation: A conversation with Sun Yuan and Peng Yu by Paul Gladston; '21st Century' Installation art in its prime by Sally Butler; Between(the)Gaps by Melinda Rackham; Before time today: Reinventing tradition in Aurukun Aboriginal Art by Louise Martin-Chew; Endless present: Robert Rooney and conceptual art by Peter Anderson; Edgeplay in subspace by Danni Zuvela; Reviews.