Sounding out installation: The work of Sandra Selig and the permeable body by Elizabeth Ruinard; Journey of light: Art, creativity and the sacred celebrating 2000 years of Christianity by Louise Martin-Chew; Dancing light: The work of Catherine Brown by Angela Goddard; Paperscapes by Margaret Maynard; Innocence lost: Contemporary images of childhood by Stephanie Lindquist; We've got the looks; they've got the brawn; why aren't we making lots of money? by Victoria Clayton; Public art in hospitals: A healthy sign by Mardi Chapman; Monochromes: A distorted history of 'influence' & 'identity'—red, yellow, blue by Donna McColm; Living doll: An exhibition by Sophie Cadman by Caroline Daniell; Between the mountains and the sea: Home-ground, Marianne Penberthy and Kerry Johns by Naomi Flatt; Erminio Aili: An exceptional artist by Jeff Shaw; Dealing Dreaming: The selling of Aboriginal art by Timothy Morrell; What's new at the Queensland Art Gallery by Patrick Connor; How many bottles sitting on the wall? The dilemmas of mounting an exhibition by Paul Brinkman; Book review: Truth to tell, A view from the sixth row—Reina Irmer Photography by Rachael Griffin; Seeing double time by Doug Spowart; Breaking down the barriers for artists in Western Queensland by Sarah McGrory; 100% success: The art of James Brown by Jacqui Stock; Uncharted—The river by Allison Gray; Not taking it lying down: A new biennial quilt exhibition by Jill Kinnear; It's not glitzy enough: The northern nexus between the region, the environment and art by Connie Lawton; Art & Land: Contemporary Australian visions by Marina Mueke; Dissonance: White on white with black, an exhibition by Margaret Genever by Caroline Daniell; A question of critical spin by Peter Anderson; Alick Tipoti's Kobupa Thoerapiese by Naomi Flatt.