Myth is an attempt to narrate a whole human experience, of which the purpose is too deep, going too deep in the blood and soul, for mental explanation or description.1 (David Herbert Lawrence) The creation of myth, as indicated by DH Lawrence, can be seen as an attempt to ‘narrate a whole human experience’, which is perhaps what most attracts artists Robert and Rurik Henry, whose works reflect strong ties to traditional folklore. Local sculptor, Robert Henry and his son Rurik (a James Cook University painting graduate) have found an interested audience for their earlier experimental collaborative works, which inspired them to create an exhibition for Townsville’s Umbrella Studio. This exhibition, entitled Steel and Stone, Creatures of Myth and Magic2 (2 March–8 April 2012) stimulated both imagination and contemplation through skilful masonry and metal forging. But do not be deceived by the ancient nature of the exhibition’s materials and techniques, their legend-inspired works, seemingly out-dated, are indeed relevant to a modern context. Based on Norse mythology, The Raven Huginn (2011) (Rurik Henry) and The Raven Muninn (2011) (Robert Henry)3 are two particularly intriguing pieces that relate to human nature. The two sculptures take the form of ravens, presented side by side as if united by a common bond. According to Norse legend, the raven Huginn and the raven Muninn belonged to Odin, the ‘king of gods’ who was renowned for his wisdom.4 It is said that Huginn represented thought and Muninn was responsible for memory, and they served Odin by delivering messages, searching the earth for knowledge and reporting it to him.5 From this myth, it can be determined that the two ravens do indeed take on the roles of... The rest of this article is available to subscribers of Eyeline
Rurik Henry, Fenrir, 2011.
