past issues

eyeline 86 2017 Stella Brennan: Archaeologist of Suburbia by Susan Ballard; Elizabeth Presa: Text, Substance and New Metaphors for Self and Other by Carol Schwarzman; Phaptawan Suwannakudt: Retold–Untold Stories by Natali Pearson; Denise Green: Semantic Amplitude by Ingrid Periz; Gareth Sansom and the "Great Outdoors" by Rex Butler; Sea of Longing: Qalandiya International 2016: This Sea is Mine by David Corbet; Tatsuo Miyajima: Time comes at you! You have to confront it by Alan Cruickshank; Nühua—Khôra—Minimalism: Intersecting notes on the work of Fu Xiao Tong by Paul Gladston with Lynne Howarth-Gladston; Museum of Contemporary Art Australia/Tate Project by Jeremy Eccles; Stand Up: Remembering the 1816 Appin Massacre by Jessica Neath; Peter Kennedy: Pioneer of Political Art by Christopher Reid; Reviews. view issue Price: $10.00	eyeline 85 2016 Living with Hipsters by Wes Hill; Wish You Were Here! Remediating Performance Art Into Video by Matthew Perkins; Critical Mass: Contemporary Video from Shanghai and Hangzhou by Lynne Howarth-Gladston and Paul Gladston; From Artist’s Body to Distributed Bodies: Marina Abramović in Residence by Jacqueline Millner; The Abject Decadence of Pierre Huyghe or Backwards With Pierre Huyghe by Peter Hill; Enchantment and its Discontents – Magic Object: The 2016 Adelaide Biennial of Australian Art by David Corbet; The Biennale Experience: The 20th Biennale of Sydney by Robyn Ferrell; Life and Times of the Asia Pacific Triennial by Alison Carroll; The Eighth Asia Pacific Triennial: Unravelling the Curatorial Narrative(s) by Tara Heffernan; Highs and Lows in APT 8 by Ann Stephen; Dress-ups by Frances Bonner; ‘Tuzlu Su’ (Saltwater): 14th Istanbul Biennial by Ian Were; Indigenous Art and Criticism by Jeremy Eccles; Reviews. view issue Price: $10.00	eyeline 84 2016 What is Zombie Formalism? by Wes Hill; Ian Fairweather: The Drunken Buddha by Sven Knudsen; Incident and Anecdote - Robert MacPherson: The Painter's Reach by Peter Anderson; Immersion: Song Ling's development as an artist in the People's Republic of China by Paul Gladston; Louise Haselton: Out of her tree by Ken Bolton; Fiona Macdonald: Means as Means by Jan Bryant; In Praise: Anne Ferran, Judith Wright, Lindy Lee by Julie Ewington; Desire, Vulnerability, Approach: The work of Judith Wright by Michelle Boulous Walker; The 56th Venice Biennale 2015 by Marco Marcon; The 56th Venice Biennale by Jacqueline Millner; Reflecting on European Collections by Georges Petitjean; Postera Crescam Laude - Brook Andrew's 'Sanctuary: Tombs of the Outcasts' by Anthea Gunn; Reviews. view issue Price: $10.00
eyeline 83 2016 Robot Girl in a world without death: Justene Williams by Adam Geczy; Darren Sylvester in conversation with Wes Hill; Broken heart and new art: Of Simian sagas and open heart surgery in the work of Lisa Roet by Ashley Crawford; Ghosts at a dinner party: Bharti Lalwani in conversation with Dinh Q. Lé; War and the floral sublime: Bronia Iwanczak and Michael Parekowhai by Ann Elias; Track Changes: Jia in conversation with Paul Gladston; 'I decided to become a heroine' Niki de Saint Phalle, 1930-2002 by Julie Ewington; Im/material labours and the work of art by Beth Jackson; 'Treeless Plain' Painting in Perth and the south-west by Darren Jorgensen; Moulding Memory: Janet Fieldhouse's ceramic art by Sally Butler; Ceramics here and now by Grace Cochrane; The Germans in London by Jeremy Eccles; Reviews. view issue Price: $10.00	eyeline 82 2015 Uncertain observations: A dialogue between Melanie Pocock and Michael Lee; Archie Moore in conversation with Wes Hill; Indigenous art and culture by Jeremy Eccles; Steve Carr: Annabel by Robert Leonard; Vale Gordon Bennett 9 October 1955 - 3 June 2014, Australia's anxiety again: Remembering the art of Gordon Bennett by Terry Smith; Remembering Gordon by Elizabeth Ann MacGregor; Galleries/Economies/Reminiscences by Jeremy Eccles; Marginal notes: Towards a history of an artist-run scene, Brisbane the 1980s by Peter Anderson; Public art in Queensland: Gone? But not forgotten by Louise Martin-Chew; New design on the cusp: Into the next decade by Ian Were; Reviews. view issue Price: $10.00	eyeline 81 2015 Uncertainty is certain: The work of Phaptawan Suwannakudt by Adam Geczy; Cai Guo-Qiang: Falling back to earth by Louise Martin-Chew; Esoteric Australian Art by Darren Jorgensen; Danie Mellor by Jeremy Eccles; 'My Country' but 'not my style' by Sally Butler; Kerry Tribe 'There will be ______' by Frances Bonner; Jeff Wall Photographs by Mark Pennings; Experimental to Experiential: Mildura Palimpsest Biennale #9 by Estelle Barrett, Barbara Bolt, Gil Dwyer and Anne Marsh; 19th Biennale of Sydney: You imagine what you desire by Louise Martin-Chew; On the Biennale trail: Istanbul, Singapore, Jogjakarta by Bharti Lalwani; Adelaide 'Biennial' and 'International' by Margot Osborne; Before and after Melbourne Now by Stephen Palmer; Reviews. view issue Price: $10.00
eyeline 80 2015 Eco-aesthetics: Ken + Julia Yonetani by Melanie Pocock; Science fiction and the antinomy of images: Peter Alwast by Adam Geczy; Objectless desire: A loosely articulated series of notes on works by the painter Tang Shu by Paul Gladston; The always beyond by Thea Constantino; Recessionary gothic and the devolution of the American dream: Gregory Crewdson's 'In a lonely place' by Amanda Howell; In a lonely place: Gregory Crewdson by Danni Zuvela; Polixeni Papapetrou in conversation with Natalie King; Political interventions and relational aesthetics by Anne Marsh; Setouchi Triennale 2013, Hiromi Tango and Craig Walsh: Traces-Blue by Emily Wakeling; 'The Encyclopedic Palace' 55th International Art Biennale 2013, Venice by Louise Martin-Chew; 'Common Ground' 13th International Architecture Biennale, Venice by Ian Were; Places in which we live and dream: The 5th Auckland Triennial by Jane Button; The 30th National Aboriginal & Torres Strait Islander Art Award 2013 by Jeremy Eccles; Reviews. view issue Price: $10.00	eyeline 78/ 79 Autumn / Winter 2014 Spending time with William Kentridge by Anne Rutherford; Inhabiting Aporia: Audience participation in contemporary art by Beth Jackson; Dark Sky: Everyday science fiction and the mechanics of the sky by Su Ballard; Flower Light by Ann Elias; Jon Cattapan Data-Scapes by Kyle Weise; Bernard Smith and 'The Myth of Isolation': A Symposium – Introduction by Rex Butler; The Lone Antipodean: Bernard Smith's post-war modernism by Sheridan Palmer; Bernard Smith: Taking a distance by Peter Beilharz; Bernard Smith's real choice: Surrealism or abstraction 1930–1950 by Rex Butler and A.D.S. Donaldson; The 7th Asia Pacific Triennial of Contemporary Art by Gina Fairley; The 7th Asia Pacific Triennial of Contemporary Art by Jasmin Stephens; APT7: Highs and lows by Andrew McNamara, Susan Best, Ann Stephen; Reuben Keehan in conversation with Tess Maunder: The 7th Asia Pacific Triennial 20-year archive; Tadasu Takamine in conversation with Vivian Ziherl; Answering the question: What is the Chinese Avant-Garde? Zhai Zhenming in conversation with Paul Gladston; Mapping out a new cultural discourse: Sharjah Biennial by Romain Maitra; The art of looking: Art Dubai and Sharjah Biennial by Bharti Lalwani; Cairns Indigenous Art Fair 2012: In tune with international contemporary art events, Queensland gains momentum at CIAF 2012 by Georges Petitjean; Reviews. view issue Price: $10.00	eyeline 77 Summer 2014 Postcard from Beijing: Performance art is alive and kicking by D.B. Valentine; Disjuncture—Tradition—Indirectness: A conversation with Qiu Anxiong by Paul Gladston; Spaced: Art out of place by Zara Stanhope; Dia: Beacon by Sarah Hetherington; The subterfuge of Joshua Petherick by Jan Bryant; Mikala Dwyer's occult constructivism by Sally Butler; Nasim Nasr: Symbols of rebirth by Adam Geczy; Australia's feminist blockbuster: Contemporary Australia: Women by Susan Best; Contemporary Australia: Women by Anne Kirker; Re-inventing the 'F Word' – It's feminism! by Rachael Haynes; Footnotes: Onanism in the feminine by Ann Finegan; Reviews. view issue Price: $10.00
eyeline 76 Autumn 2014 Christian de Vietri interviewed by Dina Ibrahim; Rachel Shearer: The flooded mirror and silt line – Sound art and public space by Andrew Clifford; Sex, death and religion: Touring MONA by Anne Marsh; Wes Hill in conversation with Andrew Harper; Confronting consensus: The art and politics of Christopher Howlett by Mark Pennings and Mark Webb; Game changer: Helen Johnson – New painterly strategies by Shelley McSpedden; The un-thought about: A history for John Barbour in a handful of objects... by Ewen McDonald; Adelaide and the elusive palace of dreams by Ross Wolfe; All is not what it seems: Through the glass with Nicholas by Ian Were; Return of the exhibition: 12th Istanbul Biennial by Adele Tan; Knowing but not seeing: Yokohama Triennale 2011 by Emily Wakeling; Reviews. view issue Price: $10.00	eyeline 75 Summer 2011-12 2013 Wes Hill in conversation with Joseph Breikers; Tony Lloyd: The exterior labyrinth by Ashley Crawford; Wobbly old people painting by Darren Jorgensen; Landscape after land rights, after conceptual art: Photography and place by Susan Best; Shadows in the landscape: Ricky Maynard and the politics of presence in photography by Melissa Miles; The Australian Tableau by Keith Broadfoot; Time after time: Runa Islam by Ryszard Dabek; Roberto Chabet 'To be continued' by Gina Fairley; Critical Mass: Cultural conduits, translations and provocations in the work of Danius Kesminas and collaborators by Shelley McSpedden; Andrew Maerkle in conversation with Ming Wong; Dinh Q.Lê: Attested terrain by Gina Fairley; La Biennale di Venezia: 54th International Art Exhibition 2011 by Wes Hill; Michael Parekowhai: On first looking into Chapman's Homer. La Biennale di Venezia 2011 by Kate Brettkelly-Chalmers; Reviews. view issue Price: $10.00	eyeline 74 2011 Rebecca Ann Hobbs: Movement and connection by Ema Tavola; I think therefore I mash: Soda_Jerk by Adam Geczy; The active thing: Bridget Currie's objects by Teri Hoskin; Matt Dabrowski and the many hands of glamour by Wes Hill; Collaboration as struggle and non-cooperation: A conversation with Sun Yuan and Peng Yu by Paul Gladston; '21st Century' Installation art in its prime by Sally Butler; Between(the)Gaps by Melinda Rackham; Before time today: Reinventing tradition in Aurukun Aboriginal Art by Louise Martin-Chew; Endless present: Robert Rooney and conceptual art by Peter Anderson; Edgeplay in subspace by Danni Zuvela; Reviews. view issue Price: $10.00

Pages