past issues

eyeline 90 2019 eyeline art magazine australia. Cover: Nick Cave, The Let Go. An immersive performance and installation by Nick Cave at Park Avenue Armory. Photograph James Ewing. Articles: Nick Cave: The Let Go by Ingrid Periz; Updating the Readymade by Wes Hill; Archie Moore: 1970 – 2018 by Sarah Werkmeister; Dale Harding in conversation with Hilary Thurlow; Art and Incarceration: Andy Quilty and The Prisoner by Darren Jorgensen; From both, and inconclusively, from neither: Critical reflections on the significances of Yu Youhan's paintings as a locus of aesthetic modernity by Paul Gladston; Thresholds to other worlds: Jill Orr's ritual performances by Anne Marsh; The Planetary Garden: Manifesta 12, Palermo by Julie Ewington; Globalisation, the art market and international art by Robyn Ferrell; Adventures in Biennale-land: Thoughts on the Adelaide Biennial of Australian Art; NGV Triennial and the twenty-first Biennale of Sydney, 2018 by David Corbet; Reviews. view issue Price: $14.00	eyeline 89 2019 eyeline art magazine australia. Cover: Tracey Moffatt, Indian from the series Passage, 2016. Detail. Digital C-print on gloss paper, 102 × 153cm. Edition of 6 + 2 A/Ps. Image ©/Courtesy of the artist and Roslyn Oxley9 Gallery, Sydney and Tyler Rollins Fine Art, New York. Articles: Public art is for everybody: A roundtable discussion with Amy-Clare McCarthy, Kieran Swann, Kinly Grey and Meagan Streader by Emily Wakeling; Heat: Performing Climate by Ann Elias; (Very) unfinished business: Perspectives on curating feminism in the age of Tumblr politics by Tara Heffernan; This will mean more to some of you than others: Louise Lawler at the Museum of Modern Art by Ingrid Periz; All that is solid... by Scott McQuire; Retro-Avant-Gardism in Australian art by Darren Jorgensen; Personal, political, public: Reflections on difference, diversity and representation in the era of the global contemporary by David Corbet; Journey to nowhere: The surprising world of Imants Tillers by Katrina Chapman; Seven thousand kilometres with the Seven Sisters by Jeremy Eccles; Reviews. view issue Price: $10.00	eyeline 88 2018 eyeline contemporary visual art magazine. Cover: Ramesh Mario Nithiyendran, In The Beginning, 2016. Detail. Ian Potter Museum of Art, Melbourne. Courtesy the artist and Sullivan+Strumpf. Articles: Belief, Complacency, Hype, Hubris: Damien Hirst's Demon with a Bowl in Venice by Pat Hoffie; Divisions on a ground: A critical meditation on Chung Sang-Hwa: Seven Paintings by Lynne Howarth-Gladston and Paul Gladston; Unlearning from Europe: Notes on documenta 14 by David Corbet; Suitcases of rubbish on the beaches of Europe: Toward an end of world weariness by Helen Grace; 15th Istanbul Biennial, 2017 by Marco Marcon; Art and Politics: Are good neighbours too much to ask? by Alan Cruickshank; What happened to the unconscious? Pat Brassington: The Body Electric by Robyn Ferrell; The People vs. Kelley Walker by Robert Leonard; Colin McCahon: On going out with the tide by Priscilla Pitts; Neo-Expressionism: Then and now by Wes Hill; Elisa Carmichael's regenerative art by Sally Butler; and Reviews. view issue Price: $10.00
eyeline 87 2018 eyeline contemporary visual art magazine — Love me tender: Warhol goes to the Mardi Gras by Robyn Ferrell; Going with the flow: Art, science, history and the Sydney Harbour by Aleksandr Andreas Wansbrough; JamFactory's 'Art Design Architecture' series leads the way by Ian Were; Art and Politics by Louise Martin-Chew; A Biennale by any other name... by Pat Hoffie; 'Acting' as a motif and a vehicle in visual arts by Gauthier Lesturgie; Anxiousness: Thoughts on the National – New Australian Art, 2017 by David Corbet; Invisible Genres by Marco Marcon; Datong Dazhang by Paul Gladston and Lynne Howarth-Gladston; Embodied in a virtual world by Robyn Ferrell; Reviews. Cover: Christian Thompson, Hannah’s Diary (from the series Lost together), 2009. Detail, C-type print, 100 x 100cm. Courtesy the artist, Sarah Scout Presents, Melbourne, and Michael Reid, Sydney and Berlin. view issue Price: $10.00	eyeline 86 2018 Stella Brennan: Archaeologist of Suburbia by Susan Ballard; Elizabeth Presa: Text, Substance and New Metaphors for Self and Other by Carol Schwarzman; Phaptawan Suwannakudt: Retold–Untold Stories by Natali Pearson; Denise Green: Semantic Amplitude by Ingrid Periz; Gareth Sansom and the "Great Outdoors" by Rex Butler; Sea of Longing: Qalandiya International 2016: This Sea is Mine by David Corbet; Tatsuo Miyajima: Time comes at you! You have to confront it by Alan Cruickshank; Nühua—Khôra—Minimalism: Intersecting notes on the work of Fu Xiao Tong by Paul Gladston with Lynne Howarth-Gladston; Museum of Contemporary Art Australia/Tate Project by Jeremy Eccles; Stand Up: Remembering the 1816 Appin Massacre by Jessica Neath; Peter Kennedy: Pioneer of Political Art by Christopher Reid; Reviews. view issue Price: $10.00	eyeline 85 2018 Living with Hipsters by Wes Hill; Wish You Were Here! Remediating Performance Art Into Video by Matthew Perkins; Critical Mass: Contemporary Video from Shanghai and Hangzhou by Lynne Howarth-Gladston and Paul Gladston; From Artist’s Body to Distributed Bodies: Marina Abramović in Residence by Jacqueline Millner; The Abject Decadence of Pierre Huyghe or Backwards With Pierre Huyghe by Peter Hill; Enchantment and its Discontents – Magic Object: The 2016 Adelaide Biennial of Australian Art by David Corbet; The Biennale Experience: The 20th Biennale of Sydney by Robyn Ferrell; Life and Times of the Asia Pacific Triennial by Alison Carroll; The Eighth Asia Pacific Triennial: Unravelling the Curatorial Narrative(s) by Tara Heffernan; Highs and Lows in APT 8 by Ann Stephen; Dress-ups by Frances Bonner; ‘Tuzlu Su’ (Saltwater): 14th Istanbul Biennial by Ian Were; Indigenous Art and Criticism by Jeremy Eccles; Reviews. view issue Price: $10.00
eyeline 84 2016 What is Zombie Formalism? by Wes Hill; Ian Fairweather: The Drunken Buddha by Sven Knudsen; Incident and Anecdote - Robert MacPherson: The Painter's Reach by Peter Anderson; Immersion: Song Ling's development as an artist in the People's Republic of China by Paul Gladston; Louise Haselton: Out of her tree by Ken Bolton; Fiona Macdonald: Means as Means by Jan Bryant; In Praise: Anne Ferran, Judith Wright, Lindy Lee by Julie Ewington; Desire, Vulnerability, Approach: The work of Judith Wright by Michelle Boulous Walker; The 56th Venice Biennale 2015 by Marco Marcon; The 56th Venice Biennale by Jacqueline Millner; Reflecting on European Collections by Georges Petitjean; Postera Crescam Laude - Brook Andrew's 'Sanctuary: Tombs of the Outcasts' by Anthea Gunn; Reviews. view issue Price: $10.00	eyeline 83 2016 Robot Girl in a world without death: Justene Williams by Adam Geczy; Darren Sylvester in conversation with Wes Hill; Broken heart and new art: Of Simian sagas and open heart surgery in the work of Lisa Roet by Ashley Crawford; Ghosts at a dinner party: Bharti Lalwani in conversation with Dinh Q. Lé; War and the floral sublime: Bronia Iwanczak and Michael Parekowhai by Ann Elias; Track Changes: Jia in conversation with Paul Gladston; 'I decided to become a heroine' Niki de Saint Phalle, 1930-2002 by Julie Ewington; Im/material labours and the work of art by Beth Jackson; 'Treeless Plain' Painting in Perth and the south-west by Darren Jorgensen; Moulding Memory: Janet Fieldhouse's ceramic art by Sally Butler; Ceramics here and now by Grace Cochrane; The Germans in London by Jeremy Eccles; Reviews. view issue Price: $10.00	eyeline 82 2016 Uncertain observations: A dialogue between Melanie Pocock and Michael Lee; Archie Moore in conversation with Wes Hill; Indigenous art and culture by Jeremy Eccles; Steve Carr: Annabel by Robert Leonard; Vale Gordon Bennett 9 October 1955 - 3 June 2014, Australia's anxiety again: Remembering the art of Gordon Bennett by Terry Smith; Remembering Gordon by Elizabeth Ann MacGregor; Galleries/Economies/Reminiscences by Jeremy Eccles; Marginal notes: Towards a history of an artist-run scene, Brisbane the 1980s by Peter Anderson; Public art in Queensland: Gone? But not forgotten by Louise Martin-Chew; New design on the cusp: Into the next decade by Ian Were; Reviews. view issue Price: $10.00
eyeline 81 2015 Uncertainty is certain: The work of Phaptawan Suwannakudt by Adam Geczy; Cai Guo-Qiang: Falling back to earth by Louise Martin-Chew; Esoteric Australian Art by Darren Jorgensen; Danie Mellor by Jeremy Eccles; 'My Country' but 'not my style' by Sally Butler; Kerry Tribe 'There will be ______' by Frances Bonner; Jeff Wall Photographs by Mark Pennings; Experimental to Experiential: Mildura Palimpsest Biennale #9 by Estelle Barrett, Barbara Bolt, Gil Dwyer and Anne Marsh; 19th Biennale of Sydney: You imagine what you desire by Louise Martin-Chew; On the Biennale trail: Istanbul, Singapore, Jogjakarta by Bharti Lalwani; Adelaide 'Biennial' and 'International' by Margot Osborne; Before and after Melbourne Now by Stephen Palmer; Reviews. view issue Price: $10.00	eyeline 80 2015 Eco-aesthetics: Ken + Julia Yonetani by Melanie Pocock; Science fiction and the antinomy of images: Peter Alwast by Adam Geczy; Objectless desire: A loosely articulated series of notes on works by the painter Tang Shu by Paul Gladston; The always beyond by Thea Constantino; Recessionary gothic and the devolution of the American dream: Gregory Crewdson's 'In a lonely place' by Amanda Howell; In a lonely place: Gregory Crewdson by Danni Zuvela; Polixeni Papapetrou in conversation with Natalie King; Political interventions and relational aesthetics by Anne Marsh; Setouchi Triennale 2013, Hiromi Tango and Craig Walsh: Traces-Blue by Emily Wakeling; 'The Encyclopedic Palace' 55th International Art Biennale 2013, Venice by Louise Martin-Chew; 'Common Ground' 13th International Architecture Biennale, Venice by Ian Were; Places in which we live and dream: The 5th Auckland Triennial by Jane Button; The 30th National Aboriginal & Torres Strait Islander Art Award 2013 by Jeremy Eccles; Reviews. view issue Price: $10.00	eyeline 78/ 79 2015 Spending time with William Kentridge by Anne Rutherford; Inhabiting Aporia: Audience participation in contemporary art by Beth Jackson; Dark Sky: Everyday science fiction and the mechanics of the sky by Su Ballard; Flower Light by Ann Elias; Jon Cattapan Data-Scapes by Kyle Weise; Bernard Smith and 'The Myth of Isolation': A Symposium – Introduction by Rex Butler; The Lone Antipodean: Bernard Smith's post-war modernism by Sheridan Palmer; Bernard Smith: Taking a distance by Peter Beilharz; Bernard Smith's real choice: Surrealism or abstraction 1930–1950 by Rex Butler and A.D.S. Donaldson; The 7th Asia Pacific Triennial of Contemporary Art by Gina Fairley; The 7th Asia Pacific Triennial of Contemporary Art by Jasmin Stephens; APT7: Highs and lows by Andrew McNamara, Susan Best, Ann Stephen; Reuben Keehan in conversation with Tess Maunder: The 7th Asia Pacific Triennial 20-year archive; Tadasu Takamine in conversation with Vivian Ziherl; Answering the question: What is the Chinese Avant-Garde? Zhai Zhenming in conversation with Paul Gladston; Mapping out a new cultural discourse: Sharjah Biennial by Romain Maitra; The art of looking: Art Dubai and Sharjah Biennial by Bharti Lalwani; Cairns Indigenous Art Fair 2012: In tune with international contemporary art events, Queensland gains momentum at CIAF 2012 by Georges Petitjean; Reviews. view issue Price: $10.00

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