eyeline art magazine australia. Cover: Nick Cave, The Let Go. An immersive performance and installation by Nick Cave at Park Avenue Armory. Photograph James Ewing.
Articles: Nick Cave: The Let Go by Ingrid Periz; Updating the Readymade by Wes Hill; Archie Moore: 1970 – 2018 by Sarah Werkmeister; Dale Harding in conversation with Hilary Thurlow; Art and Incarceration: Andy Quilty and The Prisoner by Darren Jorgensen; From both, and inconclusively, from neither: Critical reflections on the significances of Yu Youhan's paintings as a locus of aesthetic modernity by Paul Gladston; Thresholds to other worlds: Jill Orr's ritual performances by Anne Marsh; The Planetary Garden: Manifesta 12, Palermo by Julie Ewington; Globalisation, the art market and international art by Robyn Ferrell; Adventures in Biennale-land: Thoughts on the Adelaide Biennial of Australian Art; NGV Triennial and the twenty-first Biennale of Sydney, 2018 by David Corbet; Reviews.
Postcard from Beijing: Performance art is alive and kicking by D.B. Valentine; Disjuncture—Tradition—Indirectness: A conversation with Qiu Anxiong by Paul Gladston; Spaced: Art out of place by Zara Stanhope; Dia: Beacon by Sarah Hetherington; The subterfuge of Joshua Petherick by Jan Bryant; Mikala Dwyer's occult constructivism by Sally Butler; Nasim Nasr: Symbols of rebirth by Adam Geczy; Australia's feminist blockbuster: Contemporary Australia: Women by Susan Best; Contemporary Australia: Women by Anne Kirker; Re-inventing the 'F Word' – It's feminism! by Rachael Haynes; Footnotes: Onanism in the feminine by Ann Finegan; Reviews.